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Please be advised: the scenes below depict seventeenth-century violence, brutality, and execution.

Jacques Callot’s The Miseries and Misfortunes of War, also known as the Large Miseries of War, comprises a title page (plate 1) and seventeen additional plates.

The verses inscribed below Callot's images in the second state were composed by the abbot, author, and print collector Michel de Marolles. They describe the violent crimes and wretched fates of a group of early modern soldiers.

Plates 2 and 3: The new soldiers go to war

The orderly troops report for duty in a large military camp. They soon engage in a fierce, bloody battle.

The Enrollment of the Troops
The Battle

Plates 5–8: Wreaking terror and havoc

Following the battle, some soldiers proceed to terrorize innocent civilians. The inscription in plate 7, Looting and Burning of a Village, states: "They have no fear of the laws or sense of duty, nor can tears and cries move them."

The Looting of a Farm
Looting and Burning of a Village
The Burning of a Monastery
The Attack of the Stagecoach

Plate 9: Captured!

The villainous soldiers, the “enemies of glory,” have at last been apprehended.

The Capture of the Soldiers

Plates 10–14: The punishments fit the crimes

The soldiers suffer the same fates as many of their victims. The inscription for plate 13, The Stake, explains: “as punishment for having burned” religious buildings, the perpetrators are “sacrificed to the flames.”

The Strappado
The Firing Squad
The Hanging
The Stake
The Wheel

Plates 15–17: What comes around goes around

The wretched soldiers face poverty, physical suffering, and the revenge of those they wronged.

The Hospital
Dying Soldiers by the Roadside
The Peasants Avenge Themselves

Plate 18: Justice done

The just leader punishes the wicked and rewards the good.

Distribution of Rewards